Name: Opening Movies
Author: Mcclellan, Brian
ISBN: 9781632868183

Cookies on The Fantasy Books

We use cookies that are essential to run the site. With your permission we also use analytics cookies, to see which lists and books are read, and advertising cookies. You can change your mind at any time with "Cookie settings" in the footer.

Choose your cookies

Strictly necessary Always on

Keep the site working and secure: forms, signing in, protection against forged requests, and remembering your cookie choice. They are set by us (XSRF-TOKEN, the session cookie, and this choice, kept for a year).
Analytics Show us which lists and books are read, so we can improve the site and suggest books you may like. Ours: visitor_id (a year) and visitor_session_id (until you close the browser). Google Analytics, through Google Tag Manager: _ga and _ga_* (up to two years).
Advertising Let Google's advertising tags, loaded through Google Tag Manager, measure and personalise the adverts you see (for example _gcl_*, up to three months). Nothing from this category is set unless you tick it.

When you follow a link to Amazon, Amazon sets its own cookies under its own policy.

“Movie criticism's Dostoyevsky . . . Taylor reveals a national identity forged from the innocence we claim to have lost but never had in the first place.” --Steve Erickson, author of Zeroville When we think of '70s cinema, we think of classics like The Godfather, Taxi Driver, and The Wild Bunch . . . but the riches found in the overlooked B movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times." Celebrated film critic Taylor pays homage to the trucker vigilantes, meat magnate pimps, blaxploitation "angel avengers," and taciturn factory workers of grungy, unartful B films such as Prime Cut, Foxy Brown, and Eyes of Laura Mars. He creates a compelling argument for what matters in moviemaking and brings a pivotal American era vividly to life in all its gritty, melancholy complexity.